*Sold Out* Anders Osborne & Jackie Greene: "Tourgether 2017" An Acoustic Evening

WXPN Welcomes

Sold Out: *Sold Out* Anders Osborne & Jackie Greene: "Tourgether 2017" An Acoustic Evening

Cris Jacobs w/ members of Cabinet

October 28 · Saturday

Doors: 7:30 pm / Show: 8:00 pm

$27 Advance / $30 Day of Show / $40 Reserved

This event is 21 and over

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Anders Osborne
Anders Osborne
Fiery anthems and tumultuous confessional songs punctuated with raw, inspired guitar.
--USA TODAY

Rich and glorious…Osborne possesses a voice that rises out of the darkness to the light of a soulful, tremulous wail. He is a consummate showman and shaman, bending successive moments to suit his majestic purposes. Osborne seeks an epic quality to much of his music, crafting layer upon layer of hugely scaled soundscapes.…never lazily derivative…every slashing guitar figure, every cry of a lyric, seems to come from an authentic place.
--New Orleans Times-Picayune

Between the potency of his richly detailed songwriting, his intensely emotional, soulful vocals and his piercing, expert guitar work, New Orleans’ Anders Osborne is a true musical treasure. He is among the most original and visionary musicians writing and performing today. Guitar Player calls him “the poet laureate of Louisiana’s fertile roots music scene.” New Orleans' Gambit Weekly recently honored Osborne as the Entertainer Of The Year. OffBeat named him the Crescent City’s Best Guitarist for the third year in a row, and the Best Songwriter for the second straight year. Osborne also won Song Of The Year for his composition, Louisiana Gold.

Since the release of his 2010 Alligator Records debut, American Patchwork, his 2012 follow-up, Black Eye Galaxy, and his critically acclaimed 2013 EP, Three Free Amigos, Osborne has earned hordes of new fans. He has toured virtually non-stop, either with his road-tested trio, as a solo artist, or as a guest with his countless musical admirers, including Toots and The Maytals, Stanton Moore, Derek Trucks, Warren Haynes, Keb Mo, The Grateful Dead’s Phil Lesh and Karl Denson’s Tiny Universe. He’s appeared on Galactic’s Ya-Ka-May album, and in 2011 produced and played on critically acclaimed albums by Tab Benoit, Johnny Sansone and Mike Zito.

Now Osborne delivers the next chapter of his spiritual odyssey, Peace. With the new CD, Osborne continues the journey started by American Patchwork and Black Eye Galaxy, emerging from a whirlwind of emotional chaos and moving toward a sense of inner peace. Recorded at Dockside Studios in Louisiana and produced by Osborne and Warren Riker, Peace looks at the title subject from all angles. Drawing strength and inspiration from his family and friends, Osborne created the most observational record of his career. According to Osborne, “Peace is light from darkness. The songs are written from the outside looking in. They are not making any judgments. I’m just stating facts. I’m writing from a brighter perspective. There’s less dusk and dark, and much more sunlight. The results are greater than I expected. The driving tones and sounds are free and natural. This is one of the coolest records I’ve ever made.”

Since his recording debut in 1989, Osborne has written virtually all of his own material and contributed memorable songs to a wide variety of artists. Two tunes co-written by Osborne appear on Keb Mo’s Grammy-winning 1999 release Slow Down. Country superstar Tim McGraw scored a #1 hit with Anders’ song Watch The Wind Blow By. Osborne’s compositions have been covered by artists as diverse as Brad Paisley, Tab Benoit, Jonny Lang and Kim Carnes. His songs have appeared in multiple feature films. He can also be seen performing in an episode of HBO’s New Orleans-based drama, Treme
Jackie Greene
Jackie Greene
"We live in such a fast-paced, hectic environment, I wanted to make a record that would invite people to step back and take their time to listen," Jackie Greene says of Back to Birth, his first album in five years. "I wanted to make a record that would reward people who are willing to sit down and give it a couple of serious listens."

Back to Birth - Greene's seventh album and his Yep Roc Records debut - is more than worthy of some serious attention. The 11-song set showcases the multitalented artist's uncanny knack for synthesizing his deep affinity for American roots styles into timeless, personally-charged music. Armed with a persuasive voice, a vivid songwriting skill and an instinctive mastery of several instruments, Greene has carved out a unique musical niche, and the album marks another creative landmark in his already compelling body of work.

Produced by Los Lobos member and frequent Greene collaborator Steve Berlin, Back to Birth underlines Greene's remarkable evolution as a performer and writer. With such new compositions as "Silver Lining," "Trust Somebody," "Now I Can See For Miles," and the stirring title track, the artist's distinctive melodic sensibility is matched with thoughtful, introspective lyrics that confront some profound philosophical issues with plainspoken eloquence.

"Musically, this album is kind of a return to the simplicity of the records that I started with, although I feel like I have a much better idea of what I'm doing now," Greene observes. "I think the lyrics are the part that have really evolved. A lot of these songs explore the notion of a cyclical existence, and the sense that life goes in a circle. I want the songs to come from a place that's meaningful to me, but I also want to keep them as simple and direct as I can. I look at old blues songs, or Hank Williams songs, and they're so simple and direct but they can convey some pretty deep ideas."

Although Back to Birth is Greene's first new solo release in five years, he's hardly been idle. In fact, he's spent much of the past few years engaging in a series of collaborative musical adventures that have teamed him with several notable veterans.

In 2013, Greene joined the reunited Black Crowes as lead guitarist on their worldwide tour, and the following year released the self-titled debut album of supergroup Trigger Hippy, which Greene is a member of along with Joan Osborne and Crowes drummer Steve Gorman. Greene continues to be a frequent member of Grateful Dead bassist Phil Lesh’s touring ensemble Phil Lesh & Friends, for which he has contributed lead guitar and vocals since 2007. Greene also toured as part of WRG, an acoustic trio with the Grateful Dead's Bob Weir and Black Crowes frontman Chris Robinson, and he performed with Levon Helm as part of Helm's fabled Midnight Ramble shows.

The same qualities that attracted such legendary figures to work with Greene are prominent throughout Back to Birth, which Greene and producer Berlin cut at Portland's Supernatural Sound with a sympathetic crew of mostly jazz-steeped players, with Greene stretching out on a number of instruments, including guitar, piano, organ and drums.

"This is the third album I've done with Steve," he says. "I've known him for about 12 years, and he's really good at challenging me and getting it out of me. We know each other well enough at this point that we can be blunt with each other, and he'll tell me that I'm full of it if that's what I need to hear."

The musical passion and creative integrity that drive Back to Birth have been constants in Jackie Greene's musical life from the start. While growing up in Northern California, he taught himself to play piano and guitar. His musical reference points shifted radically when, at the age of 14, he ran across a cache of his parents' vintage rock, country, blues and R&B LPs in the family's basement.

Still in his teens and inspired by his discoveries, Greene began writing songs and performing them at a local coffeehouse while recording his compositions in his makeshift garage studio and burning CDRs to sell at his gigs. He saved the money he made selling those discs to fund his debut album, the self-produced, self-released Rusty Nails. Despite being a D.I.Y. release with minimal promotion, the disc received substantial regional attention from fans and press alike.

His popularity led to a deal with a local independent label, which released his second album, Gone Wanderin', in late 2002. The disc won considerable national attention, leading to a series of national tours opening for the likes of B.B. King, Buddy Guy, Susan Tedeschi, Huey Lewis, Mark Knopfler and Taj Mahal.

Greene continued to win critical acclaim and expand his fan base with 2004's Sweet Somewhere Bound and 2006's American Myth. In 2007, Greene began moonlighting with Phil Lesh and Friends, while continuing his own musical evolution with his own releases Giving Up the Ghost and Till the Light Comes, released in 2008 and 2010, respectively.

"The musicians that I really admire and try to emulate are the ones who have the whole package: they're great songwriters, great singers and great instrumentalists, and they have a vibe about them that's real," he states, adding, "When I go to make a record, I'm not thinking about where I can fit in a bunch of guitar solos. I'm thinking, 'What does this song feel like? What's it saying?' So my goal, when writing a song or making a record, is to find the core of that emotional experience and convey that."

Although he's already racked up a multitude of impressive musical achievements, Greene isn't one to look back. Instead, he continues to look to the future - and looks forward to getting back on the road to bring Back to Birth's soulful songcraft to the loyal, wildly diverse fan base that he's built through talent, vision and hard work.

"I still plan on making a lot of different kinds of records in the future, but I can't tell you what they're going to sound like, because I really have no idea," he asserts. "All I can do is write songs and make music as honestly as I can. That's what I believe people appreciate about what I do. They trust me to be honest with them, and I'd never want to abuse that trust."
Cris Jacobs w/ members of Cabinet
Cris Jacobs w/ members of Cabinet
Singer-songwriter Cris Jacobs has explored the outer realms of bluegrass, folk, funk, country, blues, soul, and rock with stylistic reverence, adventurous alchemy, and emotional sincerity. Throughout his musical travels he's amassed a dedicated fanbase engaged by the warmth and high quality of his lived-in songs.

"I've always just accepted and respected that evolution is part of the creative process," the Baltimore, Maryland-based artist explains. "But I've made sure that throughout my work, I've always been honest. That's the end goal, writing music that is meaningful to me."

Cris Jacobs began his career fronting the acclaimed band and award-winning jam band The Bridge. The sextet released four albums in 10 years, and averaged 200 shows a year. When the band went on permanent hiatus, Cris continued on following the music. In 2012, he issued his solo debut, Songs For Cats And Dogs, a masterful album featuring poignant songwriting, honey and whiskey soaked vocals, burly riffs, dazzling guitar playing, and bucolic pedal steel guitar. Jacobs's solo career was welcomed by fans and media alike, widening his profile as he appeared on television, on NPR's Mountain Stage sessions, and was personally tapped by Stevie Winwood and Sturgill Simpson for national tours. Currently, Jacobs is readying his sophomore album.

It's been a profoundly inspiring new beginning for Jacobs. Away from the band mindset, he realized he could be more reflective and explore more intimate ends of the Americana spectrum. As he prepares his second solo album, he embraces these new expressive avenues deeper, exploring more confessional topics and the broad creative range of instrumental configurations. Lately, Jacobs has been performing captivating guitar and voice shows, and his upcoming album will feature this inviting setting alongside rollicking full band excursions.

"Things never go exactly the way you think they will go," Jacobs says, reflecting back on his multi-faceted career. "I've always just followed what I honestly felt, and seeing some of the same faces in the audience year after year, people that have stuck by me through different creative configurations, is a wonderful feeling. When I go home at night, that makes me sleep well, knowing I touched someone."
Venue Information:
The Ardmore Music Hall
23 East Lancaster Ave
Ardmore, PA, 19003
http://www.ardmoremusic.com