Grahame Lesh & Cris Jacobs' Philly Shakedown
Cris Jacobs Band
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Based in the musical hotbed of Marin County, California, Grahame Lesh is a guitar player and singer-songwriter for Midnight North & the Terrapin Family Band. A mainstay in the scene centered around Terrapin Crossroads in San Rafael, Grahame has joined such luminaries as The Mother Hips, Chris Robinson, Twiddle, Amy Helm, The North Mississippi All Stars, Neal Casal, Jackie Greene, Eric Krasno, ALO, and many more in singing, playing, and interpreting the American songbook.
As a founder and co-frontperson (with Elliott Peck) for Midnight North, Grahame has played hundreds of concerts around the country and released 3 studio albums, 2 live albums, and a digital EP of original music since the band's inception in 2012. In 2017 the band released "Under The Lights", their most successful studio album to date, and toured throughout the country in support from 2017 to 2019. Midnight North's newest single "Long View", cowritten by Grahame, was released in October of 2019 in anticipation of their 4th studio album to be released in 2020.
As a member of Phil Lesh's Terrapin Family Band, he has traveled the world, performing the TFB's updated version of the Grateful Dead's sound everywhere from the famed Fuji Rock Festival in Japan to London to Newport Folk Fest to New York city. The TFB has welcomed guests like Sheryl Crow, Benmont Tench, John Scofield, Nicki Bluhm, Warren Haynes, Bob Weir, and many more onstage as they performed at venues and festivals around the world.
In 2019 Grahame joined the Capitol Sun Rays, a new band featuring Amy Helm, Luther Dickinson, and the three core members of Birds Of Chicago, as their bass player. The members have all crossed paths in various formats over the years and realized they needed to make a band of it. The Sun Rays played their first official show opening for Tedeschi Trucks Band at The Beacon Theatre on October 1, and just finished their first tour in early December.
Always focused on the song and the groove, whether it be his or another's, Grahame's music stays rooted in the present while touching on all aspects of rock, folk, blues, soul, and more.
Cris Jacobs Band
When Cris Jacobs began dreaming about a follow-up to his critically acclaimed 2016 album Dust to Gold, he realized early on he'd have to do things diﬀerently this time around. His life had changed drastically since writing those songs: he'd toured extensively and attracted a legion of new, devoted fans; he'd come oﬀ the road into a world, with its divisive rhetoric and troubling headlines, he no longer recognized; and, most importantly, he'd gotten married and had his first child. Things had changed, and Jacobs had, too.
Color Where You Are is the work of an artist at an exciting new stage in his life and career, ready to use his talents to share a little beauty with the loved ones and fans who have already given so much to him. The title nods to Jacobs' experience writing the album, which, as he puts it, he had to do "between tours, coming home, changing diapers, fixing things around the house.... You name it." He no longer had the luxury of waiting for inspiration to strike, so he colored where he was.
"It was a new discipline for me and a new level of focus that I think brought out the best work," he explains. "I feel like I grew up a little bit. There are people in my life who I truly care about and things in the world I feel deeply about. That really pushed me in a stronger direction and forced me to feel things on an honest level."
Opening track "Painted Roads," with its soulful groove and clever arrangement, is the perfect encapsulation of just how far Jacobs has come since releasing Dust to Gold. Jacobs is self-assured and confident in his soulful, infectious vocal, while his lyrical craftsmanship shows Jacobs to be a thoughtful songwriter who continuously strives to grow and evolve.
"It's about choosing to live in the present, and see the everyday details of the world, rather than postponing living or paying attention in hopes of some distant prize or destination," Jacobs says of "Painted Roads." "We get so caught up in 'success' and ambition, and are so goal-oriented, that we sometimes lose sight of the beauty in the everyday. 'Color where you are' is the notion of creating beauty now, no matter the circumstance."
"Painted Roads" was one of the first songs Jacobs and the band (who co-produced the album together) recorded for Color Where You Are, with his band mates taking Jacobs' original Tom Petty-inspired arrangement and giving it an oﬀ-kilter, syncopated groove. For the first time, Jacobs wrote the bulk of the album's songs in the studio, camping out at Richmond's Montrose Studios to flesh out "germs and ideas that had been floating around" with band members Todd Herrington (bass), Dusty Ray Simmons (drums/percussion) and Jonathan Sloane (guitar).
"I booked the studio time and put a gun to my head and that sometimes works," Jacobs says. "In this case it did. It feels like a specific time period and specific vibe and emotional space that came through in all of these songs. It was a really organic process."
While life as a family man changed Jacobs' perspective (and schedule), current events also had a profound impact on Jacobs' songwriting, with commentary on social and political issues finding its way into tracks like "Afterglow" and "Under the Big Top." Color Where You Are is a hopeful aﬀair, though, with Jacobs employing thoughtful criticism and messages of empowerment instead of wallowing or ruminating.
"The political climate is causing a diﬀerent sort of energy and angst in me that’s never been there before," he explains. "It’s not a political album by any means, but those forces out there certainly dictated a lot of the writing on this record."
On "Afterglow," Jacobs searches for optimism and healing in trying times. His emotional vocal is buoyed by a passionate, swelling performance from the band, making the track one of Color
Where You Are's most poignant moments. "It's about the hope that after the storm we are currently trying to survive in, we will see true light like never before," Jacobs says. "That the constant threats to our foundations will cause us to examine and strengthen them, and come out the other side with stronger hearts and clearer vision. 'There will come horses, there will come voices' -- that we will be forced to show our true hand like never before because of our dire need to defend it."
Elsewhere, on "Under the Big Top," Jacobs channels swampy, gritty Southern rock influences to shine a light on narrow-mindedness and lazy thinking. Crunchy riﬀs and a fat bass groove make the track, despite its heady message, one of the album's many songs you can't help but move to.
"'Under the Big Top' is commentary on society’s evolution into gullible, easily distracted, lazy-mindedness," Jacobs says. “'Pretty lights junkie like a moth to candle,' always distracted by the brightest, loudest, biggest, rather than remembering how to seek for ourselves and find truth and love. We instead over-consume and are given every opportunity to do so. What we end up with is a circus of sorts, with tricksters and hucksters and loud mouths with no real value taking up all of our attention and ruling us, because we are too easily manipulated."
Grooves abound on Color Where You Are, as on standout track "Rooster Coop," which finds Jacobs and the band sniﬃng around the henhouse over greasy slide guitar, a deep, deep pocket and a truly funky bass line. "All I knew was that I wanted to write a song that merged country and funk," Jacobs says of "Rooster Coop." "We started out with the main groove of the tune and the first line that popped into my head was, 'There’s something funky in the barnyard.' So naturally, I wrote a song about a scandalous love tryst amongst farm animals."
Spanning rock, folk, soul and funk and drawing from inspiration that runs the gamut from the henhouse to the White House, Color Where You Are is a kaleidoscopic portrait of Cris Jacobs as a songwriter, musician and bandleader. It's the work of a devoted father and an empathetic member of the human race. More than that, it's a reminder that there's beauty to be found everywhere, if you just take a moment to color where you are.
"What am I trying to do with my music?" Jacobs muses. "The simple answer is this: I’m trying to connect with people. To express real-life human emotions and make people feel things. To connect my love of music with my love of writing and conjure up all of the joy and emotions that those things bring to me. To hopefully have people walk away feeling lighter or happier or more inspired to go be a better person somehow after listening... I want to create a body of work that my family will be proud of one day, and to show that I had compassion to the human condition and wasn’t just a self-indulgent show oﬀ."
The Ardmore Music Hall
23 East Lancaster Ave
Ardmore, PA, 19003