The Weight Band (feat. members of The Band & Levon Helm Band)

The Weight Band (feat. members of The Band & Levon Helm Band)

Chris Kasper, Kerri Powers

Jun 28 2019 · Fri

Doors: 7:30 pm / Show: 8:00 pm

$25 Advance / $28 Day of Show / $39 Seated

The Weight Band (feat. members of The Band & Levon Helm Band)
The Weight Band (feat. members of The Band & Levon Helm Band)
After years of touring, The Weight Bandhas released a new album of original material, packaged for today’s vibrant Americana base and capturing The Band’s rich musical tradition. Released in February 2018, World Gone Madis a Roots Rock masterpiece of the Woodstock sound.The Weight Band originated in 2013 inside the famed Woodstock, New York barn of Levon Helm when Jim Weider and Randy Ciarlante —both former members of The Band —performed “Songs of The Band” with Band founder, Garth Hudson, alongside Jimmy Vivino and Byron Isaacs. Inspired to carry on the legacy of the unforgettable rock group, Weider, Ciarlante and Isaacs began performing fan favorites from The Band catalog to audiences across the country, inviting Brian Mitchell and Marty Grebb to complete their sound. The Weight Band later added Albert Rogers, Michael Bram and Matt Zeiner to cement their current lineup. With a heavy US tour schedule slated for 2018 and beyond, the concerts blend The Weight Band originals with songs from The Band's treasured catalog including “Up On Cripple Creek”, “The Weight” and “Dixie”-complimenting The Band’s timeless legacywhile pushing forward with new original material off their first recordWorld Gone Mad.Billboard, Relix Magazine, Elmore Magazineand others have taken notice, as have generations of The Band fans who have yearned for new material since their last studio release almost 20 years ago. The Boston Globe proclaims the album “strikes a chord between past & present”, The Syracuse Post Standard hails the release as “a revival of roots rock” and The Chicago Tribune says “The Weight carries on where The Band left off.”Both Goldmine Magazine and Rock N’ Roll Report named the album one of the best releases of 2018.Jim Weider (guitar, mandolin & vocals) is a former member ofThe Band. From 1985 to 2000, Jim replaced Robbie Robertson as their lead guitarist, writing songs and performing on their three studio albums, Jericho, High on the Hogand Jubilation. He toured internationally with original Band members Levon Helm, Garth Hudson and Rick Danko for fifteen years and was featured with them on numerous albums, films, videos and in television appearances.Michael Bram(drums & vocals) isasoulful singer and multi-instrumentalist. Michael splits his time drumming for The Weight Band and Jason Mraz. He has been a staple in the New York music scene
for almost two decades-other career highlights include working with Willie Nelsonand recording tracks with Bob Margolin of The Last Waltz fame.Brian Mitchell (keyboards & vocals) is a current member of Levon Helm’s Midnight Ramble Band and is well-known within the circles of the music industry and beyond for his solo career and his high-profile collaborations. He has recorded and performed with some of music’s most respected artists, Levon Helm, Bob Dylan, Al Green, B.B. King, and countless others.Matt Zeiner (keyboard & vocals) began his career with Hartford’s Street Temperature band, then hit the road with Matt “Guitar” Murphy of Blues Brothers fame.Matt has also toured extensively with Dickey Betts, a founding member of the Allman Brothers Band.Albert Rogers (bass, vocals) has shared the stage with Levon Helm and Garth Hudson in The Jim Weider Band, and has also performed with Sid McGinnis, Hubert Sumlin,Jimmy Vivino, Albert Lee and many others.Other noteworthy quotes:Relix Magazine-“With their newly released 11-track album World Gone Mad, the ensemble have firmly established themselves as an entity unto their own. The Weight Band also turn the Hunter/Garcia-penned classic “Deal” on its head, opening the track with a funkified guitar riff before the song settles into a raucous, rootsy groove...”Billboard Magazine-“Jim Weider keeps the upstate spirit of The Band alive as leader of The Weight Band, whose excellent new album World Gone Mad was released in February.”
Chris Kasper
Chris Kasper
A song can be best attested for, not by catchy words & phrase, but more so by association.

Kasper has kept good company opening for, lyric-tossing & sitting in with the likes of Amos Lee, The Wood Brothers, and G Love. They hand-picked him out of a sea of songwriters to support multiple country-wide tours since 2013, when he released Bagabones.

His music sips from the cool and refreshing waters of soulful songwriters, old bluesmen, sonic architects, fine poetry & a well-traveled spirit.

O, the Fool, Kasper’s 13-song, self-produced album, boasts simple and straightforward chord progressions, which leave way for the luring & praiseworthy/magnetic lyrics to really shine. The arrangements, however, are downright lush, with Kasper taking inspiration from the sweeping orchestral scores of old Western movies. He engineered & co-wrote the record’s vibrant string parts, working with multi-instrumentalist, Kiley Ryan, whose contributions (fiddle, cello and viola) added the orchestra to the sonic landscape.

Trust the tastemakers, and lend an ear to his latest pièce de résistance, O, the Fool, or hear him live, where the riches of studio arrangements are stripped away, and what’s left is a priceless and sturdy song worthy of its weight in gold, indeed.

Chris Kasper is an American songwriter with a style rooted in folk, rock and blues. His music has been compared to everything from Paul Simon to Beck, and draws on inspiration from musical greats such as Bill Withers and Levon Helm. With 25 years of playing under his belt, Chris’s unique storytelling and lush arrangements, combined with his studio artistry, set him apart as a standout artist of this generation.
Kerri Powers
Kerri Powers
Kerri Powers was destined to be a musician from the start. While most kids her age spent their childhoods following frivolous pursuits, she spent hers reading, painting, writing stories, learning guitar and composing her first songs at the tender age of nine. By her own admission, she was a shy child, but her creative pursuits gave her an appreciation of the larger world around her. Those instincts seemed to have been bred naturally, given that there was undeniable talent embedded in her genes. Bing Crosby was a distant relative on her father’s side, while her mother’s relatives were said to be descended from author Herman Melville. Notably too, Powers’ paternal grandmother made her living by playing piano and providing musical accompaniment for silent films, making her a show business standby back in the day.

Not surprisingly then, Powers was encouraged to pursue her own creative ambitions while still in adolescence. Her mother, a talented visual artist in her own right, owned an extensive record collection, which gave Kerri her initial exposure to irrefutable icons like Bob Dylan, Neil Young and John Prine. “I would sit in a wicker rocking chair by the record player and sing along to the songs,” she recalls. “I remember hearing John Prine’s “Hello in There” for the first time and feeling that something magical was happening. It was a momentary yet memorable trip to a sad but hopeful place of lonely old faces.”

Powers started playing professionally in local coffeehouses throughout her native New England, and went on to release several well-received albums in the new millennium, culminating in Faith in the Shadows in 2009. Two of her songs were later featured on the Fox series “Rescue Me” starring Denis Leary. After taking time off to get married and raise her young son she returned to performing, counting among her credits the Boston Folk Festival, Philadelphia Folk Festival, and Telluride Bluegrass Festival, among other prestigious gatherings. She’s also toured Europe while opening for Canadian singer/songwriter Fred Eaglesmith in The Netherlands, Belgium, and the United Kingdom.

This flurry of activity recently culminated in a new self-titled album, her first effort in five years. With a track list that includes eight searing self-penned songs along with incisive covers of Janis Ian’s “Jesse,” and The Bee Gees’ “To Love Somebody,” it ranks as Powers’ most accomplished collection to date. “The recording was a last minute decision,” she recalls. “The idea was to cut a couple of tracks simply to see how it would go.”

The results – a sound that’s homespun, sparse and understated -- provide another ideal showcase for Powers’ intimate and expressive song writing, as well as her adroit ability to interpret the works of others.

Fully reenergized and excited about rebooting her career, Powers is looking forward to a return to touring both here and overseas. Clearly, the creative spark that was ignited so early on is fully fuelled once again.
Venue Information:
The Ardmore Music Hall
23 East Lancaster Ave
Ardmore, PA, 19003
http://www.ardmoremusic.com